The shot opens on the living room exactly as in the first frame and holds almost still for the first two and a half seconds while the sunlight shifts slowly, and a faint prismatic rainbow glint drifts slowly across the foreground near the edge of the frame; the cover type stays printed on the room. Then the camera makes a long, smooth truck to the right across the living room with strong parallax: the leather sofa and the stone coffee table in the foreground slide left across the frame faster than the fireplace wall behind them, and the cover type moves with the room as if printed on it. Still trucking right, a dark walnut wall very close to the lens sweeps in from the right, covers the whole frame for a moment, then slides away to the left to reveal the bathroom, while the camera keeps trucking right and decelerates to land exactly on the final frame. Only this one wall passes the lens. As the camera settles in the bathroom, the bathroom's cover type fades in softly in place during the last second. Keep every object's shape and number. Keep the architecture, furniture, materials and camera height stable, with straight lines and no warping. Do not add people or light sources. Letters of any cover type never warp or change; they stay fixed to the surface they sit on and move only with it.